Kwik Tek Dry Pak Camera Case (Clear , 6-InchDP-68C DRY PAK Camera CaseShoot Pictures Through the Case! 6 in. wide x 8 in. long x 2 in. deep Optically clear TPU Adjustable camera strap Yellow sealing clip for high visibility For beach, pool, boating, water parks Holds 35mm & digital cameras, etc. Maximum circumference: 11in.
Dry Pak Camera Case Camera Case (DP65CASSHOWN)DP-65C DRY PAK Camera Case6 in. wide x 5 in. long x 2 in. deep Optically clear TPU Adjustable camera strap Yellow sealing clip for high visibility For beach, pool, boating, water parks Holds 35mm & digital cameras, etc. Maximum circumference: 11in.
Nikon D3300 24.2 Megapixel Digital CameraThe black Nikon D3300 DSLR Camera is a compact and versatile camera featuring a DX-format 24.2 megapixel CMOS sensor and EXPEED 4 image processor. The sensor and processor combine to realize high-resolution imaging, notable low-light sensitivity to an expandable ISO 25600, continuous shooting to 5 fps, and full HD 1080p video recording capabilities. Additionally, the sensor design omits the traditional optical low-pass filter in order to gain the utmost sharpness and resolution from both photos and videos. These imaging assets are complemented by an 11-point autofocus system, which provides quick and accurate focusing capabilities to suit working with a variety of subject types in nearly any lighting situation. A range of shooting modes and features are also available to help creatively accentuating your imagery, including an Easy Panorama mode as well as Picture Control settings for in-camera adjustment of the color and contrast qualities of your photos and movies. For live view monitoring, image playback, and menu navigation, a large 3.0inch 921k-dot LCD monitor is available and features a wide 160° viewing angle to better support working from high and low angles. Also enhancing the viewing and shooting abilities of the D3300, the optional WU-1a Wireless Mobile Adapter can be used to provide Wi-Fi connectivity for wirelessly transferring imagery and remotely controlling the camera from a linked Android or iOS mobile device. Included with the D3300 camera body is the AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR lens; a standard zoom providing a 35mm-equivalent focal length range of 27-82.5mm. This lens incorporates a robust VR image stabilization system, which helps to minimize the appearance of camera shake by up to four shutter speed steps to benefit working in low-light conditions. A Super Integrated Coating reduces flare and ghosting to optimize image clarity, contrast, and color neutrality and a rounded seven-blade diaphragm works to create a pleasing out-of-focus quality in shallow depth of field images. 24.2MP DX-Format Sensor and EXPEED 4 Processor The 24.2 megapixel DX-format CMOS sensor and EXPEED 4 processor work together to produce overall high image quality with notable detail, dynamic range, color accuracy, and low-light sensitivity to a native ISO 12800, which is further expandable to ISO 25600. Additionally, the sensor's design omits an optical low-pass filter in order to acquire the greatest amount sharpness and detail from subjects. The EXPEED 4 processor also enables a wealth of speed throughout the camera system, including support for full HD 1080p movie recording and a full-resolution continuous shooting rate of 5 fps. Multi-CAM 1000 Autofocus Sensor Benefitting the high image quality is an apt AF system that employs 11 distinct AF points to quickly acquire focus in a range of lighting conditions from -1 to +19 EV. Full HD Movie Recording Full HD 1920 x 1080p movie recording is supported in multiple frame rates up to 60 fps, as well as HD 720p and SD 480p in multiple frame rates, in the MPEG-4 AVC/H.264 format. During recording, full-time autofocus can be employed, with face-detection and subject-tracking capabilities, for ensured sharpness with a wide variety of subject types. A built-in monaural microphone can be used to record high-quality sound or, alternatively, a microphone input is integrated into the body design to support the use of an external microphone for enhanced quality and control over audio recordings. Body Design The D3300 integrates a large 3.0inch 921k-dot vari-angle LCD monitor, which features a 160° viewing angle to better support viewing capabilities from high and low working angles. Alternatively, a bright pentamirror optical viewfinder is also integrated into the design for precise eye-level viewing and real-time monitoring of subjects. A built-in pop-up flash is also available for additional illumination when working in low-light conditions and supports Nikon's i-TTL flash me
Loadstone Studio 2PC LED 160 PhotographicLED Photo/Video Barn Door Light Set (x2) - These continuous LED lights can be mounted on a standard hot shoe of cameras or camcorders - Small size and exquisite, light weight and very portable - Good effect even in the darkest environments w/ exposure distances up to 5 meters - Available power charge for 6 pcs of AA battery or lithium (Batteries are NOT included) - Facilitates the shaping of the beam of light from fixture and prevents the distinctive scatter of light 15 Tall Studio Quality High Output Light Stand (x2) - Material: Heavy duty aluminum alloy construction - Solid safety 3 legs stages - Easy quick-release system - Light weight: easy to move - Industrial Standard Mounting Tip - works with most flash/strobe light, umbrella, reflectors - Solid locking system for light safety - Height adjustable min. 10 to max. 15
24 Umbrella Softbox Complete Lighting KitDETAILED DESCRIPTION:(4) x 86 Tall Studio Quality High Output Light Stand - Premium heavy duty aluminum alloy construction.- Easy quick-release three leg system with precise height control.- Light weight and easy to move.- Industry standard mounting stud.- Fits most flash/strobe lights, umbrellas, and reflectors.- Solid safety locking system.- Height adjustable from 30 - 86.5(1) x Premium Black Muslin Backdrop- Complete set for a perfect shot.- Easy to care for; machine washable. - Crimped along the edge to prevent tears.- Pre-stitched loop. - Easy to fold.- 3 rod pocket on 5' side.- Color: black- Size: 5' x 10' (2) x Studio Backdrop Holders- Can be used to smooth wrinkles and unevenness that may appear the backdrop. - Precise and fast adjustments.- Superior quality and lightweight (only 1/13th the weight of the conventional muslin clamps)- Fast installation / disassembly.- Will position the muslin to be parallel with the floor.(1) x 5' x 10' Green Chroma key Muslin Backdrop - Machine washable. - Crimped along the edge to prevent tears. - Pre-stitched loop making it easy to fold.- Color : green Chroma key - Size: 5' x 10' - 3 rod pocket on 5' side(1) x Set of 5 Quick Install Background Holder Clip- Use for crossbar (diameter : 28mm).- These backdrop helpers are essential for hanging muslin, or other cloth backgrounds. - Works great for stretching out the wrinkles from muslin backgrounds.- Maximum load: 5lbs(4) x 45W 6500K Daylight Balanced Full Spectrum Pure White CFL Continuous Light Spiral Bulb- Energy saving compact fluorescent spiral bulb saves energy up to 80%.- E26/E27 screw base.- Style: Mushroom/umbrella shaped spiral- Color temperature: 6500K- Watts: 45W (200W equivalent)- Lamp tone: Daylight- Overall diameter: 3- Overall length: 8(1) x 84 Background Support System Premium Heavy Duty Aluminum Alloy Construction- Easily assembles and disassembles. - Solid safety 3 legs stages.- Height is adjustable from 2.4ft to 7 ft.- Width is adjustable from 5ft to 10ft- Cross bar consists of four sections, making it simple to adjust the width- Light stands use quick single action locks, providing fast precision height adjustment.- Compatible with muslin, paper, or canvas backgrounds.(2) x Single Bulb Light Socket Head On/Off Switch Adjustable Angle 9' Cord 110V- Easy to set up.- On/off switch.- 105W maximum wattage (energy saving bulb).- Cord & plug included (9 ft.).- Bulb base: E26/E27(2) x 24x24 Soft box with Light Socket Diffusion Fabric Silver Interior Velcro Assembly 8' On/Off Switch Cord & Carry Bag- Made of high quality nylon.- Maximum wattage of 85W CFL light bulb.- Power cord & plug included (9 ft.)- Silver interior minimizes light loss and maximizes light spread.- 2 levels of light control available: 1) Soft box only, 2) Soft box + external white cover.- Size: 24 x 24 large soft box- Color: Black exterior and silver interior- Bulb base: E26/E27(2) x 24x24 Umbrella Soft box White/White Premium Shoot Through Light Modifier with 8mm Shaft Easy Setup & Maximum Portability- Made of premium nylon.- White internal face and black outer side.- Can be used with both flash and continuous lighting.- Lightweight and easy to use.- Multifunctional usage as a reflector, soft box, or shoot through umbrella.- Shaft size: 8mm - 24 x 24 square design. (1) x 5' x 10' Chroma Key White Background- Made with polyester material.- Reflective and non-gloss surface.- Lightweight, wrinkle resistant fabric. - Size: 5' x 10'
Focus Camera Digital Off Shoe Flash CordModel: FC-FCCAN. Focus Digital Off Shoe Flash Cord for Canon cameras allows the flash to be removed from the camera for creative lighting effects. One end of the cord connects to the hot shoe of the camera while the other end has a hot shoe that connects to the flash and communication between the flash and the camera remains. Overall, the Focus Digital Off Shoe Flash Cord gives you the flexibility you need and helps to eliminate harsh shadows to create stunning photos.
Vivitar Universal Portable 3-Piece DigitalDigital Gray Card Set Premium white balance card set lanyard Works with any digital camera Perfect for both RAW JPEG files Can be used in pre- or post-production Premium lanyard with detachable clip Why use a Gray Card Set? Real Color, as we humans see it, is the light that is reflected from an object. There are sources of light: such as the sun, the moon, artificial lighting, a camera flash, etc. This light strikes an object and it is reflected back to our eyes, which record it and pass it on to the brain, which interprets it for us. An apple looks red, or green, or yellow, because the chemicals in the skin of the apple reflect back these wavelengths. But the true color of an object changes as the subtle color tone of the light that shines upon it changes. For example: We see a piece of white paper in an office that is illuminated with florescent lighting. The paper looks white to us. We take the paper outside into the bright sun, it still looks white. We take the paper home with us and look at it under the tungsten lights that illuminate our house; it's white. We take it into the shade and it still looks white to us. It's not really pure white in each of these situations. Our brain knows that this paper should be white so it does some fancy interpolating for us. In reality, the paper in the office probably had a bluish hue to it, as it did in the shade too, and it had a reddish hue in our home, and was maybe slightly yellow in the sun. Our eyes simply adjust and send the right white balance to our brains. Cameras do not have the wonderful flexibility of the human brain. Although there is some great technology out there to make these machines produce the color that we SHOULD be seeing, by correcting the WHITE BALANCE of an image as the image is captured or processed, most of them are not 100% perfect all of the time. There will be times when an image has a COLOR CAST to it, maybe a slight magenta, a bit too red, or perhaps yellow. The goal of color balancing is to make the colors right. We want white to actually look white and for gray to look gray since then in all likelihood the skin tones of the people in the photo will be corrected and look normal and pleasing to us as well. COLOR AND THE COMPUTER WORLD When computers render color, so that we can see color on a monitor or print it out on paper, they need to do so in a mathematical format. There are all sorts of complexities that enter into the display or printing of color but the standard that home computers rely upon most is going to be RGB color. With this system there are three primary colors, RED GREEN BLUE. Colors displayed on a monitor are a composite of these three, with each color have a value of RED, GREEN, BLUE between 1 and 255. Pure Black is 0-0-0. Pure white would be 255-255-255. Every other color, all 16,581,375 of them, are a composite of the three primary colors. Whenever there is an equal mixture of RED, GREEN, and BLUE we get GRAY (or NEUTRAL) TONES DIGITAL PHOTO COLOR CORRECTION When we take a digital image, the camera makes it's best guess regarding the Color Temperature of the light source and the camera firmware adjusts the color accordingly. Sometimes the result can be very good, other times it is way off. It depends on the camera, the way you have it set, the degree to which the light is made up of mixed light sources, and a lot of other things. Fortunately we have wonderful software that can fix these problems for us and give us a great range of creative options as well. Getting the proper color balance of an image is probably the most basic step in image editing. But there can be tremendous confusion among digital camera users about how to get a good result. Some software, such as Adobe Photoshop, appears absolutely alien to beginners. It takes a long time, some dedicated study, and lots of experience to really master Photoshop. But the most essential tasks, color balancing and tone control, are really pretty easy i
Aputure Amaran HR672S LED Video Light WithAputure Amaran HR672S High CRI95+ 672pcs LED Video Light Spotlight With 2.4G Wireless Remote Control Amaran HR672s LED Video Light features CRI95+ Hi-tech and the small beam Angle (25) makes strong and steady light. Using a universal 2.4G FSK technology, it can be taken under control within 100 meters. Its elaborate design, quiet heat dissipation and advanced battery charging system make it perfect for photographers and filmmakers who shoot for a prolonged periods of time in the studio or on the go. Features: 1. CRI 95+ pure and accurate light 2. Small beam angle, high concentration, uncompromised brightness, and light concentration 3. Wiht 672 high quality and long lifespan bulbs,working as long as 100,000 hours 4. Rue slim but hard shell 5. Quiet dissipation system 6. Charges one or both batteries while powered by AC 7. 2.4G FSK wireless remote control within 100 meters 8. With1/4 lot in several sides, convenient for lamp bracket and other connecting devices 9. Brightness adjustable and digital display,Brightness adjustable and digital display 10. Control multiple LED lights in 4 groups or 3 channels 11. Faithful carrying case included Specification: Model HR672S Operation Current 4A Power 45W Beam Angle 25 Color Temperature 5500K Power Supply DC 15V Average Life Span 100,000 hours Cooling Mode Natural Ventilation Remote Freqency 2.4GHz Channels 3 Groups 4 (A/B/C/D) Remote Range 100m Volum(L*W*H) 235*190*32 Net weight 585g Brightness: Model Distance Foot candles Lux HR672S 0.5m 1741 18800 1m 559 6040 Manual: Click here Package Included: 1 x Aputure Amaran HR672S Video Light 1 x Color Temperature Orange 1 x Warming Filter 1 x Power Adapter 2 x lithium battery 1 x Lamp Bracket 1 x 1/4 inch -3/8 inch Screw 1 x Carrying case 1 x Remote Controller 1 x User Manual Detail Pictures:
DigPro Adventurer Series Photography DSLRAn innovative and versatile camera backpack built tough for the serious outdoor photographer. The Adventurer Series Pro anticipates every grueling challenge the outdoor photographer faces, and will be immediately appreciated by demanding professional photographers. Brutal climates are never a problem for its rugged, durable exterior and the hardy, water-resistant stretch woven fabric shields valuable cameras and lenses from even the harshest weather conditions. The Adventurer Series Pro comes loaded with state-of-the-art ergonomic features that make the backwoods seem like home. Its expedition-quality harness protects the photographer's muscles from the stress of a heavy pack by redistributing weight efficiently to the padded hip belt. This advanced load-support mechanism also increases stability and balance without hampering movement, and adjustable load straps afford a custom-tailored fit. The mesh-covered back pad keeps tired shoulders cool and refreshed. Because the outdoor photographer needs fast, trouble-free access to a variety of equipment, every pack offers an impressive array of features that keep gear organized and within easy reach. LipLock holder attachments allow the photographer to position optional accessory packs. Tripod carry straps, 2 lens pouches, four inside zippered mesh pockets and a DayPack are included. The interior is fully customizable for any system. Specifications: External Dimensions 21W x 15D x 23.5H in.(53.5 x 38 x 59.5 cm) Internal Dimensions 12W x 6D x 20.5H in. (30.5 x 15 x 52 cm) Material water-resistant 600D ripstop nylon and 600D Endura nylon Capacity 2 large pro SLRs, and 6 - 7 lenses up to a 600mm f/4.0; or medium format system, including large 6x7 camera or large format field camera with film holders and lenses; or professional video system
Studio Set: 2 Flash Lights 120 W/s with 2This studio flash kit is ideal for both digital and analog photography. The flash light is attached to the included tripod. It is a higher powered strobe light that can be used both indoor and outdoor and is good for studio work and larger scale on location shoots alike. The flash power is infinitely adjustable from 1/8 to 1/1 so you can adjust the light to your desired brightness. It can be triggered by the included sync cord, test button and built-in slave unit. The softbox helps to eliminate the harsh shadows and wrap the light around your subject to give you perfect pictures. The adjustable tripod allows you to create a suitable lighting position. Made of strong aluminum, the light stand is stable and durable. With the included carrying bag, the flash kit is easy to store and transport. Delivery includes 2 flash lights, 2 softboxes, 2 tripods, 1 sync cord, 2 power cables and 1 carrying bag.
Studio Set: 2 Flash Lights 120 W/s with 2This studio flash kit is ideal for both digital and analog photography. The flash light is attached to the included tripod. It is a higher powered strobe light that can be used both indoor and outdoor and is good for studio work and larger scale on location shoots alike. The flash power is infinitely adjustable from 1/8 to 1/1 so you can adjust the light to your desired brightness. It can be triggered by the included sync cord, test button and built-in slave unit. When using the 6 umbrellas in 3 different colors, you are able to create different types of light. It helps to give a better skin tone and contrast control. The adjustable tripod allows you to create a suitable lighting position. Made of strong aluminum, the light stand is stable and durable. With the included carrying bag, the flash kit is easy to store and transport. Delivery includes 2 flash lights, 6 umbrellas, 2 tripods, 1 sync cord, 2 power cables and 1 carrying bag.
Studio Flash Light 120 W/s with Softbox 20This studio flash kit is ideal for both digital and analog photography. The flash light is attached to the included boom stand. It is a higher powered strobe light that can be used both indoor and outdoor and is good for studio work and larger scale on location shoots alike. The flash power is infinitely adjustable from 1/8 to 1/1 so you can adjust the light to your desired brightness. It can be triggered by the included sync cord, test button and built-in slave unit. The softbox helps to eliminate the harsh shadows and wrap the light around your subject to give you perfect pictures. The adjustable boom stand allows you to create a suitable lighting position. Made of strong aluminum, the light stand is stable and durable. With the included carrying bag, the flash kit is easy to store and transport. Delivery includes 1 flash light, 1 softbox, 1 boom light stand, 1 sync cord, 1 power cable and 1 carrying bag.